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  • 16.00
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ゾマー・イン・レスモーナ - レスモーナにてお茶を

夏の野外クラシック音楽祭

音楽と文学の風景を巡る旅

14:00開場  16:00開演

Once again this year, a prominent actor will serve literary delicacies over tea in Lesmona.
For further information about ›Summer in Lesmona‹ click here.

プログラム

    • ヴォルフガング・アマデウス・モーツァルト (1756–1791)
    • I. Allegro from Divertimento D major K 136
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Das Goldene Zeitalter‹
    • セルゲイ・プロコフィエフ (1891–1953)
    • III. Gavotta: Non troppo allegro from Symphony No. 1 D major op. 25
    • フランツ・シューベルト (1797–1828)
    • No. 4 and No. 5 from ›Deutsche Tänze‹ D 90
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Der Fenchelstängel‹ (excerpt) – ›Das Geschenk des Feuers‹
    • ヨハン・シュトラウス2世 (1825–1899)
    • Thunder and Lightning op. 324
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Die Bestrafungen – Das Geschenk‹
    • Fred Raymond (1900-1954)
    • ›Ja, das Temperament‹ from Mask in blue
    • ニーノ・ロータ (1911 - 1979)
    • Theme from La Strada
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Die Brüder‹ – ›Nur ein Gefäß‹ (Part 1)
    • Francis Lai (1932-2018)
    • A man and a woman
    • Fred Raymond
    • Never look too deep in the eyes of a beautiful woman from Mask in Blue
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Nur ein Gefäß‹ (Part 2)
    • リヒャルト・シュトラウス (1864–1949)
    • II. Menuett from ›Der Bürger als Edelmann‹ op. 60b-IIIa
    • ヨーゼフ・シュトラウス (1827–1870)
    • Ethereal sounds op. 235
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Der gefesselte Prometheus‹
    • ヴォルフガング・アマデウス・モーツァルト
    • I. Allegro from flute quartette D major K 285

俳優

オリヴァー・モムゼン

Oliver Mommsen attended the Maria Körber School of Drama in Berlin. Immediately thereafter, an intensive cooperation with the director Stefan Bachmann and the group Gruppe Theater Affekt began. From this, further engagements for the Zürich Festspiele, the Vienna Schauspielhaus and the Volksbühne Berlin (Prater) soon followed.

In 2001, he first began investigating as Kommissar Stedefreund alongside Sabine Postel in the Bremen ›Tatort‹.  For the ›Scheherazade‹ episode, he was awarded the 2006 German Television Prize in the category Television Crime Series. In spring of 2019 after 18 years, Oliver Mommsen said goodbye to the Bremen ›Tatort‹.

Most recently, he has appeared in ›The Perfect Secret‹ as well as in ›Nebenan‹ (Next Door) at the St Pauli Theatre. Both plays will feature in the 2022/2023 schedule.

Oliver Mommsen’s loyalty to Bremen continues thanks to the collaboration with the Bremen director André Erkau and the editor Annette Strelow. In 2022, they filmed the ARD film ›Mord oder Watt‹ in Bremerhaven and Cuxhaven. Further projects are under discussion.

フルート

ベッティーナ・ヴィルト

Bettina Wild moved from her native city of Münster to study the flute in Vienna, where she graduated ›with distinction‹ and received the Prize of Merit of the Austrian Ministry for Outstanding Artistic Achievements.

Subsequently she was a member of the Orchestra Academy of the Berlin Philharmonic. Following a brief appointment in Münster, she became a soloist with The Deutsche Kammer­philharmonie Bremen in 1993.

She has also had a teaching assignment at the University of the Arts in Bremen since 1997 and gives masterclasses at the Orchesterzentrum Dortmund and the University of Music in Lübeck.

ヴァイオリン

ベアーテ ・ヴァイス

ヴァイオリン

シュテファン・ラツコ

Stefan Latzko’s career path took him from the Bavarian State Youth Orchestra via the University of Music in Munich, Würzburg and Hanover, to a scholarship at the Juilliard School of Music in New York. He graduated with distinction and gave his concert recital at the Robert Schumann University in Düsseldorf under Prof. Rosa Fain.

Orchestra playing remains his great passion to this day. This was decisively shaped by his membership in the Young German Philharmonic. Subsequently, he was also a member of the ›Chamber Orchestra of the Young German Philharmonic‹. From here, in 1989, he came to The Deutsche Kammer­philharmonie, which at that time still resided in Frankfurt.

In addition to playing in the orchestra, Stefan Latzko is a keen chamber musician, having founded his first string quartet during his student days. Today he also regularly performs as a soloist and passes on his experience teaching the violin at the University of the Arts Bremen and coaching the Bremen Youth Orchestra.

Stefan Latzko spends much of his spare time cycling and has already cycled across Europe. His next ambition is to explore New Zealand on two wheels.

Furthermore he is concertmaster of the Sinfonietta Oldenburg and the orchestra ›Sinfonia Concertante‹ in Bremen.

ヴィオラ

アンニャ・マンタイ

カンマーフィルの現本拠地ブレーメンからさほど遠くないヴィルヘルムスハーフェンで育つ。北海沿岸の町を離れ、ハンブルク、次いでフライブルクの各音楽大学で学ぶ。1982年にはドイツ・カンマーフィルの前身ともいえる、当時のユンゲ・ドイチェ・フィルハーモニー室内楽団に入団。

楽団メンバーとして、また各種アンサンブルでの室内楽奏者としての多忙な演奏活動の傍ら、人文学の分野に特に関心を注ぐ。2012年には音楽学、ドイツ学、英語学の各学科を優等で卒業したマンタイは、その熱意と豊富な知識を活かし、長年ブレーメンにおける定期演奏会事前イベント「en passant」と「Auftakt」の企画・実施に携わってきた。

音楽や音楽学以外の余暇の一番の楽しみは読書である。

チェロ

マルク・フロンクー

Belgian cellist Marc Froncoux studied at the Music Colleges in both Brussels and Detmold, with Edmond Baert and Professor Andre Navarra respectively. He is the prize winner of several competitions such as the international Premio Vittorio Gui competition in Florence. On completing his studies, Marc Froncoux was appointed teacher of Professor Edmond Baert’s solo class in Brussels and also played solo cello at the Opera in Lucca, Italy.

Marc Froncoux has been solo cellist with The Deutsche Kammer­philharmonie Bremen since 1998. In his adopted North German home, he conducts the Oldenburg Chamber Orchestra and is regularly involved in chamber music courses for amateurs.

Along with The Deutsche Kammer­philharmonie Bremen he has guested in many concert venues in numerous international capitals. He is one of the section leaders in the orchestra and regularly performs in the orchestra’s series of chamber music concerts.

In his free time, Marc Froncoux enjoys spending time in the country. He trains regularly for his trekking tours in the Himalayas, thus combining healthy exercise with his search for inner calm.

ピアノ

アグリカ・アンジェロヴァ

俳優

オリヴァー・モムゼン

Oliver Mommsen attended the Maria Körber School of Drama in Berlin. Immediately thereafter, an intensive cooperation with the director Stefan Bachmann and the group Gruppe Theater Affekt began. From this, further engagements for the Zürich Festspiele, the Vienna Schauspielhaus and the Volksbühne Berlin (Prater) soon followed.

In 2001, he first began investigating as Kommissar Stedefreund alongside Sabine Postel in the Bremen ›Tatort‹.  For the ›Scheherazade‹ episode, he was awarded the 2006 German Television Prize in the category Television Crime Series. In spring of 2019 after 18 years, Oliver Mommsen said goodbye to the Bremen ›Tatort‹.

Most recently, he has appeared in ›The Perfect Secret‹ as well as in ›Nebenan‹ (Next Door) at the St Pauli Theatre. Both plays will feature in the 2022/2023 schedule.

Oliver Mommsen’s loyalty to Bremen continues thanks to the collaboration with the Bremen director André Erkau and the editor Annette Strelow. In 2022, they filmed the ARD film ›Mord oder Watt‹ in Bremerhaven and Cuxhaven. Further projects are under discussion.

ヴァイオリン

ベアーテ ・ヴァイス

ヴィオラ

アンニャ・マンタイ

カンマーフィルの現本拠地ブレーメンからさほど遠くないヴィルヘルムスハーフェンで育つ。北海沿岸の町を離れ、ハンブルク、次いでフライブルクの各音楽大学で学ぶ。1982年にはドイツ・カンマーフィルの前身ともいえる、当時のユンゲ・ドイチェ・フィルハーモニー室内楽団に入団。

楽団メンバーとして、また各種アンサンブルでの室内楽奏者としての多忙な演奏活動の傍ら、人文学の分野に特に関心を注ぐ。2012年には音楽学、ドイツ学、英語学の各学科を優等で卒業したマンタイは、その熱意と豊富な知識を活かし、長年ブレーメンにおける定期演奏会事前イベント「en passant」と「Auftakt」の企画・実施に携わってきた。

音楽や音楽学以外の余暇の一番の楽しみは読書である。

ピアノ

アグリカ・アンジェロヴァ