• Sat. 24.06.
  • 4.00 p.m.
  • Bremen
    ·Knoops Park

Summer in Lesmona – Tea in Lesmona

Open-air summer classic festival

Journey through a musical-literary landscape

Start: 4pm, doors open: 2.00pm

Once again this year, a prominent actor will serve literary delicacies over tea in Lesmona.
For further information about ›Summer in Lesmona‹ click here.

Programme

    • Wolfgang Amadeus Mozart (1756–1791)
    • I. Allegro from Divertimento D major K 136
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Das Goldene Zeitalter‹
    • Sergej Prokofiev (1891–1953)
    • III. Gavotta: Non troppo allegro from Symphony No. 1 D major op. 25
    • Franz Schubert (1797–1828)
    • No. 4 and No. 5 from ›Deutsche Tänze‹ D 90
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Der Fenchelstängel‹ (excerpt) – ›Das Geschenk des Feuers‹
    • Johann Strauss (son) (1825–1899)
    • Thunder and Lightning op. 324
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Die Bestrafungen – Das Geschenk‹
    • Fred Raymond (1900-1954)
    • ›Ja, das Temperament‹ from Mask in blue
    • Nino Rota (1911–1979)
    • Theme from La Strada
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Die Brüder‹ – ›Nur ein Gefäß‹ (Part 1)
    • Francis Lai (1932-2018)
    • A man and a woman
    • Fred Raymond
    • Never look too deep in the eyes of a beautiful woman from Mask in Blue
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Nur ein Gefäß‹ (Part 2)
    • Richard Strauss (1864–1949)
    • II. Menuett from ›Der Bürger als Edelmann‹ op. 60b-IIIa
    • Josef Strauss (1827–1870)
    • Ethereal sounds op. 235
    • Stephen Fry: Mythos.The Greek Myths Retold
    • ›Der gefesselte Prometheus‹
    • Wolfgang Amadeus Mozart
    • I. Allegro from flute quartette D major K 285

Actor

Oliver Mommsen

Oliver Mommsen attended the Maria Körber School of Drama in Berlin. Immediately thereafter, an intensive cooperation with the director Stefan Bachmann and the group Gruppe Theater Affekt began. From this, further engagements for the Zürich Festspiele, the Vienna Schauspielhaus and the Volksbühne Berlin (Prater) soon followed.

In 2001, he first began investigating as Kommissar Stedefreund alongside Sabine Postel in the Bremen ›Tatort‹.  For the ›Scheherazade‹ episode, he was awarded the 2006 German Television Prize in the category Television Crime Series. In spring of 2019 after 18 years, Oliver Mommsen said goodbye to the Bremen ›Tatort‹.

Most recently, he has appeared in ›The Perfect Secret‹ as well as in ›Nebenan‹ (Next Door) at the St Pauli Theatre. Both plays will feature in the 2022/2023 schedule.

Oliver Mommsen’s loyalty to Bremen continues thanks to the collaboration with the Bremen director André Erkau and the editor Annette Strelow. In 2022, they filmed the ARD film ›Mord oder Watt‹ in Bremerhaven and Cuxhaven. Further projects are under discussion.

Flute

Bettina Wild

Bettina Wild moved from her native city of Münster to study the flute in Vienna, where she graduated ›with distinction‹ and received the Prize of Merit of the Austrian Ministry for Outstanding Artistic Achievements.

Subsequently she was a member of the Orchestra Academy of the Berlin Philharmonic. Following a brief appointment in Münster, she became a soloist with The Deutsche Kammer­philharmonie Bremen in 1993.

She has also had a teaching assignment at the University of the Arts in Bremen since 1997 and gives masterclasses at the Orchesterzentrum Dortmund and the University of Music in Lübeck.

Violin

Beate Weis

Beate Weis studied violin and string quartet in Stuttgart with Gerhard Voss in the Melos Quartet class, followed by specialized concert studies with Ernst Kovacic in Vienna. She was a prizewinner in the national ›Jugend musiziert‹ competition and a member of the State Youth Orchestra in Baden-Württemberg and the German National Youth Orchestra, as well as winning a scholarship from the DAAD and the Baden-Württemberg String Instrument Collection. She joined The Deutsche Kammer­philharmonie Bremen directly after completing her studies in 1992.

Here, Beate Weis is also very active in promoting music – for example within the scope of orchestra projects such as ›Response‹, the ›Musical Paper Chase‹, concert introduction events (including ›Genial‹ in cooperation with the Bremen children’s and youth theatre, MOKS) or teaching and coaching lay musicians. As a soloist she has performed with the Bremen University Orchestra, Oldenburg Chamber Orchestra and concerto armonico Freiburg. Beate also devotes herself intensively to chamber music. She was a member of the ›Ensemble Lesmona‹ founded together with other orchestra colleagues and has her own concert series in the Bremen Silbermanufaktur Koch und Bergfeld. Here she combines programme planning with recitals.

Violin

Stefan Latzko

Stefan Latzko’s career path took him from the Bavarian State Youth Orchestra via the University of Music in Munich, Würzburg and Hanover, to a scholarship at the Juilliard School of Music in New York. He graduated with distinction and gave his concert recital at the Robert Schumann University in Düsseldorf under Prof. Rosa Fain.

Orchestra playing remains his great passion to this day. This was decisively shaped by his membership in the Young German Philharmonic. Subsequently, he was also a member of the ›Chamber Orchestra of the Young German Philharmonic‹. From here, in 1989, he came to The Deutsche Kammer­philharmonie, which at that time still resided in Frankfurt.

In addition to playing in the orchestra, Stefan Latzko is a keen chamber musician, having founded his first string quartet during his student days. Today he also regularly performs as a soloist and passes on his experience teaching the violin at the University of the Arts Bremen and coaching the Bremen Youth Orchestra.

Stefan Latzko spends much of his spare time cycling and has already cycled across Europe. His next ambition is to explore New Zealand on two wheels.

Furthermore he is concertmaster of the Sinfonietta Oldenburg and the orchestra ›Sinfonia Concertante‹ in Bremen.

Viola

Anja Manthey

Anja Manthey was raised in Wilhelmshaven, not far from the orchestra’s current home city of Bremen. She left the North Sea town to study at the University of Music in Hamburg and Freiburg. She joined the then Chamber Orchestra of the Young German Philharmonic back in 1982.

Apart from a busy orchestra schedule and regular chamber music appearances in various ensembles, she is particularly interested in the humanities. In 2012, she graduated with distinction in Musicology, German and English. For many years, Anja Manthey has contributed her enthusiasm and wealth of experience in these subjects to organizing and holding the concert introduction events ›en passant‹ and ›Auftakt‹ (engl. ›Prélude‹) for the Bremen subscription concerts.

Her favourite leisure pastimes – beyond music and musicology – include reading. In 2020, she was awarded her doctorate (DPhil).

Violoncello

Marc Froncoux

Belgian cellist Marc Froncoux studied at the Music Colleges in both Brussels and Detmold, with Edmond Baert and Professor Andre Navarra respectively. He is the prize winner of several competitions such as the international Premio Vittorio Gui competition in Florence. On completing his studies, Marc Froncoux was appointed teacher of Professor Edmond Baert’s solo class in Brussels and also played solo cello at the Opera in Lucca, Italy.

Marc Froncoux has been solo cellist with The Deutsche Kammer­philharmonie Bremen since 1998. In his adopted North German home, he conducts the Oldenburg Chamber Orchestra and is regularly involved in chamber music courses for amateurs.

Along with The Deutsche Kammer­philharmonie Bremen he has guested in many concert venues in numerous international capitals. He is one of the section leaders in the orchestra and regularly performs in the orchestra’s series of chamber music concerts.

In his free time, Marc Froncoux enjoys spending time in the country. He trains regularly for his trekking tours in the Himalayas, thus combining healthy exercise with his search for inner calm.

Piano

Aglika Angelova

Actor

Oliver Mommsen

Oliver Mommsen attended the Maria Körber School of Drama in Berlin. Immediately thereafter, an intensive cooperation with the director Stefan Bachmann and the group Gruppe Theater Affekt began. From this, further engagements for the Zürich Festspiele, the Vienna Schauspielhaus and the Volksbühne Berlin (Prater) soon followed.

In 2001, he first began investigating as Kommissar Stedefreund alongside Sabine Postel in the Bremen ›Tatort‹.  For the ›Scheherazade‹ episode, he was awarded the 2006 German Television Prize in the category Television Crime Series. In spring of 2019 after 18 years, Oliver Mommsen said goodbye to the Bremen ›Tatort‹.

Most recently, he has appeared in ›The Perfect Secret‹ as well as in ›Nebenan‹ (Next Door) at the St Pauli Theatre. Both plays will feature in the 2022/2023 schedule.

Oliver Mommsen’s loyalty to Bremen continues thanks to the collaboration with the Bremen director André Erkau and the editor Annette Strelow. In 2022, they filmed the ARD film ›Mord oder Watt‹ in Bremerhaven and Cuxhaven. Further projects are under discussion.

Violin

Beate Weis

Beate Weis studied violin and string quartet in Stuttgart with Gerhard Voss in the Melos Quartet class, followed by specialized concert studies with Ernst Kovacic in Vienna. She was a prizewinner in the national ›Jugend musiziert‹ competition and a member of the State Youth Orchestra in Baden-Württemberg and the German National Youth Orchestra, as well as winning a scholarship from the DAAD and the Baden-Württemberg String Instrument Collection. She joined The Deutsche Kammer­philharmonie Bremen directly after completing her studies in 1992.

Here, Beate Weis is also very active in promoting music – for example within the scope of orchestra projects such as ›Response‹, the ›Musical Paper Chase‹, concert introduction events (including ›Genial‹ in cooperation with the Bremen children’s and youth theatre, MOKS) or teaching and coaching lay musicians. As a soloist she has performed with the Bremen University Orchestra, Oldenburg Chamber Orchestra and concerto armonico Freiburg. Beate also devotes herself intensively to chamber music. She was a member of the ›Ensemble Lesmona‹ founded together with other orchestra colleagues and has her own concert series in the Bremen Silbermanufaktur Koch und Bergfeld. Here she combines programme planning with recitals.

Viola

Anja Manthey

Anja Manthey was raised in Wilhelmshaven, not far from the orchestra’s current home city of Bremen. She left the North Sea town to study at the University of Music in Hamburg and Freiburg. She joined the then Chamber Orchestra of the Young German Philharmonic back in 1982.

Apart from a busy orchestra schedule and regular chamber music appearances in various ensembles, she is particularly interested in the humanities. In 2012, she graduated with distinction in Musicology, German and English. For many years, Anja Manthey has contributed her enthusiasm and wealth of experience in these subjects to organizing and holding the concert introduction events ›en passant‹ and ›Auftakt‹ (engl. ›Prélude‹) for the Bremen subscription concerts.

Her favourite leisure pastimes – beyond music and musicology – include reading. In 2020, she was awarded her doctorate (DPhil).

Piano

Aglika Angelova