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ヴィヴァルディとヘンドリックスの作品

Antonio Vivaldi’s ›Four Seasons‹, artistic programme music of the early 18th century, has long achieved the status of a ›classic‹ – music that we all know. The recording of the four violin concertos with The Deutsche Kammer­philharmonie Bremen and concertmaster Daniel Sepec was met with critical acclaim upon its release and, although not played on historical instruments, is still considered a reference recording.

Between the concertos, you can hear a ›classic‹ of a very different kind: guitar legend Jimi Hendrix, who died at a young age. Like no other, he embodied the sex, drugs and rock ‘n’ roll lifestyle of the late 1970s. What rock and baroque have in common is that both genres lean heavily on the bass, which sets the rhythm and harmony, says Sepec, who was first introduced to Hendrix’ music as a teenager and was excited by its »wildness and directness«. The programme features three of Hendrix’s best-known compositions accompanied by specially adapted orchestral arrangements.

Arrangements by Matthias Bartolomey & Klemens Bittmann
(BartolomeyBittmann)
www.bartolomeybittmann.at

プログラム

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    • ジミ・ヘンドリックス (1942–1970 )
    • ヘイ・ジョー
    • アントニオ・ヴィヴァルディ
    • 『四季』Op.8より、協奏曲第2番ト短調 RV 315「夏」
    • アントニオ・ヴィヴァルディ
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    • ジミ・ヘンドリックス
    • フォクシー・レディ
    • アントニオ・ヴィヴァルディ
    • 『四季』Op.8より、協奏曲第4番ヘ短調 RV 297「冬」
    • ジミ・ヘンドリックス
    • パープル・ヘイズ

監督およびコンサートマスター

ダニエル・セペック

Since 1993, Daniel Sepec has been concertmaster with The Deutsche Kammer­philharmonie Bremen, with which he also appears regularly as a soloist. He has recorded two CDs with the orchestra featuring works by Johann Sebastian Bach as well as Antonio Vivaldi’s ›Four Seasons‹, on which he also directed himself.

He has also appeared several times as guest concertmaster with the Chamber Orchestra of Europe (including a tour with Claudio Abbado), Camerata Academica Salzburg and the Ensemble Oriol Berlin. As a soloist he has performed with the Academy of Ancient Music under Christopher Hogwood, the Vienna Academy of Music under Martin Haselböck and the Orchestre des Champs-Elysées under Philippe Herreweghe.

His CD recording of H. I. F. Biber’s Rosary Sonatas received the German Record Critics’ Award. Daniel Sepec is the only musician to date to have recorded a CD on a rediscovered violin formerly belonging to Ludwig van Beethoven together with pianist Andreas Staier. As a member of the Arcanto Quartet, he has made recordings of the Mozart, Brahms, Debussy, Ravel, Bartók and Dutilleux string quartets, as well as Schubert’s String Quartet.

From September 2010 until July 2014, he was professor at the School of Music in Basle. In 2014, he was offered a professorship at Lübeck University of Music.

監督およびコンサートマスター

ダニエル・セペック

Since 1993, Daniel Sepec has been concertmaster with The Deutsche Kammer­philharmonie Bremen, with which he also appears regularly as a soloist. He has recorded two CDs with the orchestra featuring works by Johann Sebastian Bach as well as Antonio Vivaldi’s ›Four Seasons‹, on which he also directed himself.

He has also appeared several times as guest concertmaster with the Chamber Orchestra of Europe (including a tour with Claudio Abbado), Camerata Academica Salzburg and the Ensemble Oriol Berlin. As a soloist he has performed with the Academy of Ancient Music under Christopher Hogwood, the Vienna Academy of Music under Martin Haselböck and the Orchestre des Champs-Elysées under Philippe Herreweghe.

His CD recording of H. I. F. Biber’s Rosary Sonatas received the German Record Critics’ Award. Daniel Sepec is the only musician to date to have recorded a CD on a rediscovered violin formerly belonging to Ludwig van Beethoven together with pianist Andreas Staier. As a member of the Arcanto Quartet, he has made recordings of the Mozart, Brahms, Debussy, Ravel, Bartók and Dutilleux string quartets, as well as Schubert’s String Quartet.

From September 2010 until July 2014, he was professor at the School of Music in Basle. In 2014, he was offered a professorship at Lübeck University of Music.