• 8.08 (土)
  • 19.30

ベートーヴェンの作品

クロスタース音楽祭

プログラム

    • ルートヴィヒ・ヴァン・ベートーヴェン (1770–1827)
    • 『コリオラン』序曲 ハ短調 Op.62
    • ルートヴィヒ・ヴァン・ベートーヴェン
    • ピアノ協奏曲第5番 変ホ長調 Op.73「皇帝」
    • ルートヴィヒ・ヴァン・ベートーヴェン
    • 交響曲第7番 イ長調 Op.92

指揮

パブロ・エラス=カサド

Pablo Heras-Casado enjoys an unusually varied and broad-ranging career, encompassing the great symphonic and operatic repertoire, historically informed performances, and contemporary scores. His musical character is best reflected by the quality of the long-term relationships he has nurtured with prestigious orchestras all around the world, while developing new ones each season.

During the 2019/20 season he marks his debut with Orchestra Filarmonica della Scala, Minnesota Orchestra, Royal Stockholm and Czech Philharmonic orchestras and Deutsche Kammer­philharmonie Bremen, while making return guest appearances with Orchestre de Paris, Philharmonia Orchestra, NDR Elbphilharmonie Orchester, NHK Symphony and Pittsburgh Symphony orchestras, Accademia Nazionale di Santa Cecilia, Symphonieorchester des Bayerischen Rundfunk and Verbier Festival Orchestra. He furthermore returns to The Juilliard School in New York to work with their period-instrument ensemble Juilliard415.

In the operatic field, Heras-Casado conducts Wagner’s ›Die Walküre‹ at Teatro Real in Madrid, where he is Principal Guest Conductor, continuing his first-ever complete Ring Cycle, which started with ›Das Rheingold‹ in the previous year and will span four consecutive seasons. He also returns to Staatsoper Unter den Linden in Berlin to conduct ›Don Giovanni‹, a co-production of the opera house with the Salzburg Festival.

He enjoys a long-term collaboration with Freiburger Barockorchester with extensive touring and recording projects and is currently Director of the Granada Festival.

An extensive discography includes a developing series of recordings for the label harmonia mundi, entitled ›Die Neue Romantik‹. Selections of this series feature the music of Mendelssohn, Schumann and other Romantic composers.

ピアノ

マルティン・ヘルムヒェン

Born in Berlin in 1982, Martin Helmchen has established himself as one of the younger generation’s top pianists. This musician enjoys an international career, working with numerous renowned orchestras such as the Tonhalle-Orchester Zürich, the Orchestre de Paris, the Vienna Philharmonic Orchestra and the Boston Symphony Orchestra. He studied at Berlin’s ›Hanns Eisler‹ College of Music as well as at the College of Music, Drama and Media in Hanover and his mentors are William Grant Naboré and Alfred Brendel. Martin Helmchen has been Associate Professor of Chamber Music at the Kronberg Academy since 2010.

Chamber Music is a particular passion for this pianist. He performs regularly with partners such as Julian Prégardien, Veronika Eberle and Christian Tetzlaff. Alongside this year’s concert with The Deutsche Kammer­philharmonie Bremen, there are also engagements planned with the Konzerthaus Orchester Berlin, with the WDR Sinfonieorchester, the Chicago Symphony Orchestra, the Danish National Symphony Orchestra, the Stockholm Philharmonic and with the Orchestre Philharmonique de Monte Carlo.

Martin Helmchen is an exclusive artist for Alpha Classics. In Beethoven’s jubilee year 2020 he will be releasing all of Beethoven’s piano concertos with Andrew Manze and the Deutsches Sinfonie-Orchester Berlin.

指揮

パブロ・エラス=カサド

Pablo Heras-Casado enjoys an unusually varied and broad-ranging career, encompassing the great symphonic and operatic repertoire, historically informed performances, and contemporary scores. His musical character is best reflected by the quality of the long-term relationships he has nurtured with prestigious orchestras all around the world, while developing new ones each season.

During the 2019/20 season he marks his debut with Orchestra Filarmonica della Scala, Minnesota Orchestra, Royal Stockholm and Czech Philharmonic orchestras and Deutsche Kammer­philharmonie Bremen, while making return guest appearances with Orchestre de Paris, Philharmonia Orchestra, NDR Elbphilharmonie Orchester, NHK Symphony and Pittsburgh Symphony orchestras, Accademia Nazionale di Santa Cecilia, Symphonieorchester des Bayerischen Rundfunk and Verbier Festival Orchestra. He furthermore returns to The Juilliard School in New York to work with their period-instrument ensemble Juilliard415.

In the operatic field, Heras-Casado conducts Wagner’s ›Die Walküre‹ at Teatro Real in Madrid, where he is Principal Guest Conductor, continuing his first-ever complete Ring Cycle, which started with ›Das Rheingold‹ in the previous year and will span four consecutive seasons. He also returns to Staatsoper Unter den Linden in Berlin to conduct ›Don Giovanni‹, a co-production of the opera house with the Salzburg Festival.

He enjoys a long-term collaboration with Freiburger Barockorchester with extensive touring and recording projects and is currently Director of the Granada Festival.

An extensive discography includes a developing series of recordings for the label harmonia mundi, entitled ›Die Neue Romantik‹. Selections of this series feature the music of Mendelssohn, Schumann and other Romantic composers.