• 11.09 (日)
  • 16.00
  • ドイツ
    ·テディングハウゼン
    ·エルプホーフ・テディングハウゼン城

ピアソラ、ライヒ他の作品

プログラム

    • エリック・サミュ (*1968)
    • Lost in the ocean
    • バンジャマン・ゴダール (1849–1895 )
    • 3つの小品による組曲 Op.116 フルートとマリンバ編
    • スティーヴ・ライヒ (*1936)
    • マレット四重奏曲
    • クリストス・ハツィス (*1953)
    • モデュレーションズ 1
    • アストル・ピアソラ (1921–1992)
    • 『タンゴの歴史』より「売春宿 1900」、「カフェ1930」、「ナイトクラブ 1960」フルートとマリンバ編
    • アンディ・アキホ (*1979)
    • Pillar VII

パーカッション

ファビアン・オッテン

Fabian Otten is principal percussionist in the Philharmonische Staatsorchester Hamburg and a composer of contemporary music for chamber ensembles, orchestras and music theatre.

He began his percussion studies at Hamburg College of Music and Drama in 2012 with Massimo Drechsler, Stephan Cürlis and Cornelia Monske. He continued his studies at the Hanns Eisler College of Music with Franz Schindlbeck and Rainer Seegers and the percussion soloist Li Biao. His first orchestral position was with the Philharmonie Südwestfalen in 2014. He has also played as a soloist in the Junge Deutsche Philharmonie. He was a finalist at the international competition of the Percussive Arts Society in Italy, won 2nd prize at the international competition ›Marimba Festival‹ in Bamberg, a special prize from the Bavarian Radio and the Eduard Söring Prize 2020. Since the summer semester 2023 he has held a teaching position for marimba at Leipzig ollege of Music and Theatre and has been a member of the Philharmonische Staatsorchester Hamburg since the 2017/18 season.

Since 2020, he has composed several works for percussion and chamber music – his composition ›Samsara‹ – a work that deals with the basic principle of Buddhism – won the ›2021 Interstellar Composer Competition‹. Two further works which deal with philosophical and social issues were premiered to great critical acclaim by the Philharmonische Staatsorchester Hamburg in the Elbphilharmonie. Since then, his compositional repertoire has expanded through various commissions (including Edition Svitzer, Philharmonische Staatsorchester Hamburg, Hamburg Ballet, Festival WinterMUSIK Altona) with pieces for chamber ensembles, orchestra, music theatre and dance. He is currently finishing his master’s degree in composition with Fredrik Schwenk at Hamburg College of Music and Theatre. Vladislav Parapanov directed his miniature opera ›Drei Szenen einer Frikadelle‹, which recently premiered at the Hamburg Staatsoper.

パーカッション

ダーヴィト・パンツァー

David Panzer comes from Worms am Rhein, where he attended the junior music school and  received his first percussion lessons at the age of six. In addition to percussion, he also played the clarinet there for many years. He gained his first orchestral experience at a young age through his membership of the Landesjugendorchester Rheinland-Pfalz.

After leaving school he went on to study percussion with Dennis Kuhn, Jens Knoop and Jasmin Kolberg at Mannheim College of Music and Performing Arts. In addition to his classical orchestral studies, he also took part in a number of ensemble projects with the ›Mannheimer Schlagwerk‹.

In the 2013/14 season, David Panzer won a scholarship to the Rhein-Neckar Orchestral Academy and gained further experience in the orchestras of the Nationaltheaters Mannheim, Theater Heidelberg and the Staatsphilharmonie Rheinland-Pfalz. As a member and board member of the Junge Deutsche Philharmonie, he was particularly involved in the orchestra’s education projects.

David Panzer has been principal percussionist of the Badische Staatskapelle Karlsruhe since the 2016/17 season.

パーカッション

パトリック・ステイプルトン

パーカッション

ファビアン・オッテン

Fabian Otten is principal percussionist in the Philharmonische Staatsorchester Hamburg and a composer of contemporary music for chamber ensembles, orchestras and music theatre.

He began his percussion studies at Hamburg College of Music and Drama in 2012 with Massimo Drechsler, Stephan Cürlis and Cornelia Monske. He continued his studies at the Hanns Eisler College of Music with Franz Schindlbeck and Rainer Seegers and the percussion soloist Li Biao. His first orchestral position was with the Philharmonie Südwestfalen in 2014. He has also played as a soloist in the Junge Deutsche Philharmonie. He was a finalist at the international competition of the Percussive Arts Society in Italy, won 2nd prize at the international competition ›Marimba Festival‹ in Bamberg, a special prize from the Bavarian Radio and the Eduard Söring Prize 2020. Since the summer semester 2023 he has held a teaching position for marimba at Leipzig ollege of Music and Theatre and has been a member of the Philharmonische Staatsorchester Hamburg since the 2017/18 season.

Since 2020, he has composed several works for percussion and chamber music – his composition ›Samsara‹ – a work that deals with the basic principle of Buddhism – won the ›2021 Interstellar Composer Competition‹. Two further works which deal with philosophical and social issues were premiered to great critical acclaim by the Philharmonische Staatsorchester Hamburg in the Elbphilharmonie. Since then, his compositional repertoire has expanded through various commissions (including Edition Svitzer, Philharmonische Staatsorchester Hamburg, Hamburg Ballet, Festival WinterMUSIK Altona) with pieces for chamber ensembles, orchestra, music theatre and dance. He is currently finishing his master’s degree in composition with Fredrik Schwenk at Hamburg College of Music and Theatre. Vladislav Parapanov directed his miniature opera ›Drei Szenen einer Frikadelle‹, which recently premiered at the Hamburg Staatsoper.

パーカッション

パトリック・ステイプルトン