• 6.06 (火)
  • 19.30
  • ドイツ
    ·ドレスデン
    ·クルトゥアパラスト

石井、ドゥン、ライヒ、コダーイ、サイ、コープランド、クセナキス、ドビュッシー、ビャルナソン、コリリアーノの作品

プログラム

    • 石井 眞木 (1936–2003)
    • 「入破 II」
    • タン・ドゥン (*1957)
    • 打楽器協奏曲 「自然の涙 The Tears of Nature」より第1楽章:夏
    • スティーヴ・ライヒ (*1936)
    • 「ドラミング」
    • コダーイ・ゾルターン (1882-1967)
    • ガランタ舞曲
    • ファジル・サイ (*1970)
    • 打楽器協奏曲より第4楽章:マリンバ ー ブーバム
    • アーロン・コープランド (1900–1990)
    • 「市民のためのファンファーレ」
    • ヤニス・クセナキス (1922–2001)
    • 「プレイアデス」より第4楽章:Peaux (Skins)
    • クロード・ドビュッシー (1862–1918)
    • 「牧神の午後」への前奏曲
    • ダニエル・ビャルナソン (*1979)
    • ソロ・パーカッションのための協奏曲「インフェルノ」より第1楽章
    • ジョン・コリリアーノ (*1938)
    • パーカッションのための協奏曲「奇術師 Conjurer」より第3楽章:Skin

打楽器

マルティン・グルービンガー

Technical perfection, a joy of playing and musical versatility make Martin Grubinger most likely the best multi-percussionist in the world. His repertoire stretches from solo works through chamber music with his Percussive Planet Ensemble to solo concertos. In the many years of his stage career, this multi-award-winning artist has made a unique contribution to placing the percussion as a solo instrument right at the centre of classical concert performance.

Alongside his many appearances at well-known festivals such as the Heidelberg Frühling, Bregenz Festival, Beethoven Festival in Bonn, and the Salzburg Festival (to name but a few), Grubinger has also played contemporary commissions, including with orchestras such as the Wiener Philharmoniker and the Mahler Chamber Orchestra. In addition, he has won audiences over in performances with the NHK Symphony Orchestra, Oslo Philharmonic, National Symphony Orchestra Washington, Bamberger Symphoniker and the Los Angeles Philharmonic Orchestra, the New York Philharmonic Orchestra and numerous others. The 2022/23 season will be this internationally renowned artist’s last as, after almost two decades, he is saying goodbye to the stage. His concert with the Deutsche Kammer­philharmonie Bremen will be one of the last, before Martin Grubinger devotes himself to new endeavours.

打楽器

マルティン・グルービンガー

Technical perfection, a joy of playing and musical versatility make Martin Grubinger most likely the best multi-percussionist in the world. His repertoire stretches from solo works through chamber music with his Percussive Planet Ensemble to solo concertos. In the many years of his stage career, this multi-award-winning artist has made a unique contribution to placing the percussion as a solo instrument right at the centre of classical concert performance.

Alongside his many appearances at well-known festivals such as the Heidelberg Frühling, Bregenz Festival, Beethoven Festival in Bonn, and the Salzburg Festival (to name but a few), Grubinger has also played contemporary commissions, including with orchestras such as the Wiener Philharmoniker and the Mahler Chamber Orchestra. In addition, he has won audiences over in performances with the NHK Symphony Orchestra, Oslo Philharmonic, National Symphony Orchestra Washington, Bamberger Symphoniker and the Los Angeles Philharmonic Orchestra, the New York Philharmonic Orchestra and numerous others. The 2022/23 season will be this internationally renowned artist’s last as, after almost two decades, he is saying goodbye to the stage. His concert with the Deutsche Kammer­philharmonie Bremen will be one of the last, before Martin Grubinger devotes himself to new endeavours.