• 1.14 (木)
  • 20.00
  • ブレーメン
    ·ゼンデザール

New flexibility

1st Hansa Subscription II Concert

Works by Mozart and Haydn

Can it ever work? The man who embraces Early Music and the pianist with a love of the Romantic? Of course it can work! The pair have guested with The Deutsche Kammer­philharmonie on a number of previous occasions, most recently in autumn 2015. 20 years ago, such a meeting of minds would have been questionable. But in the meantime, the doyens of historically informed performance such as Ton Koopman, Sir John Eliot Gardiner or also Trevor Pinnock long since feel at home directing orchestras that play on modern instruments. At the same time, many soloists are demonstrating greater flexibility. Maria Joao Pires, for instance, has also played on historical grand pianos, for example Beethoven on one of the French Érard grand pianos. Pinnock on the other hand has remained faithful to his Baroque and Classical roots to this day, although he has in the meantime advanced to the music of Gustav Mahler. For their current programme in Bremen, the conductor and pianist are staying classical, with works by Wolfgang Amadeus Mozart and Joseph Haydn.

プログラム

    • ヴォルフガング・アマデウス・モーツァルト (1756–1791)
    • Overture to ›La Clemenza di Tito‹ K 621
    • ヴォルフガング・アマデウス・モーツァルト
    • Piano concerto No. 27 in B major K 595
    • ヨーゼフ・ハイドン (1732–1809)
    • Symphony No. 92 in G major Hob I: ›Oxford‹

指揮

トレヴァー・ピノック

Trevor Pinnock is known worldwide as a harpsichordist and conductor who pioneered performance on historical instruments with ›The English Concert‹, the orchestra which he founded in 1972 nd led for the next thirty years. He now divides his time between conducting, solo, chamber music and educational projects.

Recent conducting highlights include Leipzig Gewandhaus Orchester, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin and Koninklijk Concertgebouworkest.

Trevor brought Purcell’s ›Dido & Aeneas‹ and Theatre Music to the Wigmore Hall where later in the season 2015/16 he will also perform chamber music by Purcell, Corelli and Handel with Sophie Gent, Matthew Truscott and Jonathan Manson. He will also give solo recitals including music by Johann Jakob Froberger and Louis Couperin.

Recordings to be released this season include a solo recital ›Journey – 200 years of harpsichord music‹ as well as the Mozart ›Gran Partita‹ for winds and a Haydn ›Notturno‹ with the Royal Academy of Music Soloists Ensemble. Trevor’s work at the Royal Academy of Music also includes orchestral concerts as Principal Guest Conductor of the Concert Orchestra and opera projects.

ピアノ

マリア・ジョアン・ピレシュ

指揮

トレヴァー・ピノック

Trevor Pinnock is known worldwide as a harpsichordist and conductor who pioneered performance on historical instruments with ›The English Concert‹, the orchestra which he founded in 1972 nd led for the next thirty years. He now divides his time between conducting, solo, chamber music and educational projects.

Recent conducting highlights include Leipzig Gewandhaus Orchester, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin and Koninklijk Concertgebouworkest.

Trevor brought Purcell’s ›Dido & Aeneas‹ and Theatre Music to the Wigmore Hall where later in the season 2015/16 he will also perform chamber music by Purcell, Corelli and Handel with Sophie Gent, Matthew Truscott and Jonathan Manson. He will also give solo recitals including music by Johann Jakob Froberger and Louis Couperin.

Recordings to be released this season include a solo recital ›Journey – 200 years of harpsichord music‹ as well as the Mozart ›Gran Partita‹ for winds and a Haydn ›Notturno‹ with the Royal Academy of Music Soloists Ensemble. Trevor’s work at the Royal Academy of Music also includes orchestral concerts as Principal Guest Conductor of the Concert Orchestra and opera projects.