Originally from New Zealand, Emma Yoon began her studies with Stephen Larsen at the University of Canterbury in Christchurch. She then completed her master’s degree and concert exam with Elisabeth Kufferath at the Hanover College of Music, Drama and Media. She also studied chamber music with Oliver Wille in Hanover. Among other prizes, this violinist has won the New Zealand National Concerto Competition. In 2010 she made her solo debut with the Christchurch Symphony Orchestra performing Samuel Barber’s Violin Concerto. Emma Yoon is also an avid chamber musician, collaborating with outstanding artists such as Sarah Christian, Florian Donderer and Tanja Tetzlaff. Her most recent recording, the chamber music album ›Jonny‹, was nominated for an Opus Klassik in 2020.

Both as a soloist and as a chamber musician, Emma Yoon has performed concerts throughout Europe, the UK, the USA and New Zealand, and has appeared at international festivals such as the Edinburgh International Arts Festival, the Rottweil Musikfestival Sommersprossen and the Heidelberger Frühling. She was an academist with the Deutsche Kammer­philharmonie Bremen from 2017 to 2019 before becoming a permanent member of the orchestra, and has played as concertmaster in ensembles such as the Kammer­philharmonie Landshut, Musica Assoluta and Camerata Hamburg.

She has also completed an internship with the NDR Radiophilharmonie Hanover and has played as a section leader in ensembles such as the Kammer­philharmonie Landshut and the Camerata Hamburg. Since 2018, Emma Yoon has also been a member of the Estonian Festival Orchestra, working with Paavo Järvi at the Pärnu Music Festival in Estonia.

Born in Paris, Tristan Cornut has won prizes at many international competitions, including the ARD Music Competition, the Domnick Competition and the Gaspar Cassado Competition. He studied with Roland Pidoux at the Paris Conservatoire and at Stuttgart College of Music as well as with Jean-Guihen Queyras at Freiburg College of Music.

He has performed as soloist with the Tokyo Philharmonic Orchestra, the Symphonie Orchester des Bayerischen Rundfunk, the Stuttgart Kammer Orchester, the Münchner Kammer Orchester, the Strasbourg Philharmonic Orchestra and Ensemble Resonanz, among others. Since 2012, he has been principal cellist of the Deutsche Kammer­philharmonie Bremen.

A passionate chamber musician, he has performed alongside Yo-Yo Ma, Antonio Meneses, Salvatore Accardo, Bruno Giuranna, Miguel da Silva and Daniel Hope as well as being prize-winner at the Melbourne, Trondheim and Joseph Haydn (Vienna) chamber music competitions.

Tristan Cornut has been Professor of Violoncello at the Stuttgart University of Music since 2017. He currently plays a 2005 Urs Mächler cello.

Sarah Christian’s wish is to convey the honest emotion and energy of classical music to her listeners. In her artistic life, she enjoys combining all influences, not having to compromise anything in her many roles as soloist, chamber musician, the Deutsche Kammer­philharmonie Bremen’s concert master or as Artistic Director of a chamber music series in her home town of Augsburg. Here she makes the highest demands on herself. Her focus, when studying scores, is always on the music itself, which she approaches with the greatest respect. Her most important teacher is Antje Weithaas, with whom she studied at the Hanns Eisler Music College in Berlin and whose assistant she later became. As professor, Sarah Christian supervises her own class at the Stuttgart College of Music and Performing Arts.

One of her greatest competition success is the ARD Music Competition 2017, at which she won 2nd Prize (no 1st prize was awarded). She also won the audience prize and the Munich Chamber Orchestra’s special prize. Sarah Christian has performed in many European countries, as well as in China, Japan, South America and The United States. As soloist, she has played with orchestras such as the Camerata Salzburg, the Bavarian Radio Symphony Orchestra and the Auckland Philharmonia. She gave her debut at Carnegie Hall with the Bavarian State Orchestra in March 2018. Her Debut CD (GENUIN, 2017), featuring Prokofiev’s Sonata No. 1 in F minor Op. 80 and Schubert’s C Major Fantasy has been greatly praised by the press »Sarah Christian’s solo debut is simply fantastic! This violinist has proven to be an extremely sensitive interpreter and she is technically quite simply unimpeachable.« (klassik.com).

Jürgen Winkler is an enthusiastic Go player. This passion has awakened in him an affinity for traditional Japanese culture, so that both musically and privately he especially looks forward to the orchestra’s trips to Japan.

Alongside his fulfilling musical work with The Deutsche Kammer­philharmonie Bremen, Jürgen Winkler is also interested in the non-musical, entrepreneurial side and was active on the management board for many years. For example, he was principally responsible for producing the vinyl disc of the Beethoven Symphony cycle with Paavo Järvi.

Very unusually for a present-day professional orchestra player, Jürgen Winkler came to The Deutsche Kammer­philharmonie Bremen from the Young German Philharmonic in 1982 while he was still studying Mathematics, Biology and Geography in Tübingen. He subsequently switched subjects and studied the viola with Serge Collot and Emile Cantor.

He completed his musical training with various masterclasses and intensive quartet training under the tuition of the Melos Quartet and the LaSalle Quartet.

Alongside his orchestra activities, Jürgen Winkler’s musical passion is chamber music and playing in ensembles for Early Music.