Elke Schulze-Höckelmann was national prizewinner in the ›Jugend musiziert‹ competition and a junior student at the University of Music in Münster. She subsequently studied in Cologne and Oslo and played in the European Community Youth Orchestra. But possibly her participation »in the grass-roots democratic grammar school wind orchestra« was the decisive experience that would later lead her to feel most at home with The Deutsche Kammer­philharmonie Bremen.
To find this out, she was previously a member of the Kassel State Theatre Orchestra, the Württemberg Philharmonie Reutlingen and the Philharmonia Hungarica Marl. She has been a soloist with The Deutsche Kammer­philharmonie Bremen since 1993. When she is not playing here, she enjoys playing the historical horn in various ensembles for Early Music.

During his studies at the Royal Birmingham Conservatoire, Jeffrey Armstrong was awarded numerous prizes, most notably the Principal’s Prize for outstanding contribution to the life of the conservatoire. He is currently enrolled in the solo class of Elisabeth Kufferath at the Hanover College of Music, Media and the Arts. In addition, Jeffrey has worked with and received memorable masterclasses from musicians such as Leonidas Kavakos, Lawrence Power, Antje Weithaas, and Eberhard Feltz among others

As a soloist, this young violinist has already performed many concerts including with the Cape Town Philharmonic Orchestra, the Johannesburg Symphony Orchestra, and the Kwazulu-Natal Philharmonic Orchestra in South Africa. He recently won first prize in the UNISA National Music Competition, leading to a performance and recording with the Johannesburg Philharmonic Orchestra. As a chamber musician, Jeffrey regularly appears as a guest at the Wye Valley Music Festival in England. This violinist is also involved in other projects including the Cape Chamber Music Collective, which he jointly founded in South Africa, as well as the musical education project ›Arco Project‹ for disadvantaged children in Soweto, Johannesburg.

Chris Rogers-Beadle began studying violin at the age of 5 before switching to viola at the age of 16. He went on to get his Bachelor’s degree at the Colburn School in Los Angeles under the tutelage of Paul Coletti and would later graduate from Yale University with a master’s degree having studied with Ettore Causa.

Chris has participated in many masterclasses and festivals in the US and Europe and has been a prizewinner in national competitions in the US.

Chris has performed as a soloist with numerous orchestras including the Philharmonic Baden-Baden and the Boston Symphony Orchestra. Also a seasoned chamber musician, Chris has performed in concert with artists such as Anthony Marwood, Ivan Monighetti, and Augustin Hadelich.

Nuala McKenna initially began learning the piano with her father at only four years old before switching to the cello soon thereafter. After completing her studies with Ulf Tischbirek at Lübeck College of Music, with Jean-Guihen Queyras in Freiburg, Ivan Monighetti (Basel) and Conradin Brotbek (Stuttgart), she then went on to take a Master’s degree with Conradin Brotbek. This German-Irish musician has been a member of the Balthasar Neumann Ensemble since 2012 and has performed regularly with the Camerata RCO since 2014. During the 2013/14 season Nuala McKenna was an Academy Student at the Concertgebouw Orchestra and from 2015 to 2017 she was also an Academy Student with The Deutsche Kammer­philharmonie Bremen.

As a chamber musician, McKenna has already performed with renowned musicians such as Maria João Pires, Boris Garlitsky, Augustin Dumay, Miguel da Silva and Olli Mustonen. In addition, this cellist has appeared at various festivals including Verbier Festival, the Southwell Music Festival and has also founded her own family festival: The Musikfest Kahleby. In 2018/19 McKenna was a finalist in the Dutch Classical Talent Awards which took her on a solo tour through all the well-known halls of The Netherlands. Her debut album of works for solo cello will be released in 2021.

Maximilian Krome has played the clarinet with The Deutsche Kammer­philharmonie Bremen since April 2014. He was born in Höxter, North Rhine-Westphalia in 1988 and studied with Prof. Martin Spangenberg at The Liszt School of Music in Weimar, where he gained an Artistic Diploma in June 2012. During this time he had a scholarship from the German National Academic Foundation.

He is a multiple prizewinner in national competitions as well as at the Tunbridge Wells International Young Concert Artists Competition in England. As a scholar of the Jürgen Ponto Foundation and the German Foundation for Musical Life, he played solo engagements at the opening of the Schwetzingen Mozart Festival, the Essen Philharmonic, the Margravial Opera House of Bayreuth and in Switzerland.

His concert activities focus on performances with various chamber music ensembles, with appearances, for example, at the Schleswig-Holstein Music Festival, the international music festival The Next Generation at the Harenberg-Center Dortmund, the Laeiszhalle Hamburg, the Cologne Philharmonic and at the invitation of the Academy of St.Martin-In-The-Fields in London.

From 2012-2014, Maximilian Krome was Academist of the Bavarian Radio Symphony Orchestra in Munich.

Today, he regularly plays as a guest with the Chamber Academy Potsdam, the Camerata Bern and the Frankfurt Opera and Museum Orchestra.

Born in 1989 to a musical family on the outskirts of Berlin, Konstanze Glander began learning the violin at the age of 5. As well as being very musical in her youth, dance was also a strong influence and it was for this reason that, as far as her career aspirations were concerned, she was a ›late bloomer‹. It was eventually an opera production with the National Youth Orchestra which brought about the decisive change.

Konstanze Glander studied with Professor Axel Wilczok and Stefan Hempel at Rostock College of Music and Drama. For her final performance she played Mozart’s violin concerto with the North German Philharmonic of Rostock. She was also a member of the Gustav Mahler Youth Orchestra and dedicated herself during her studies to the music of the tango.

As a member of various ensembles, Konstanze Glander was able to amass a wealth of artistic experience and it was as an Academy Student at the Staatskapelle Berlin and Daniel Barenboim that she gained valuable insights into the behind-the-scenes world of opera, ballet and the concert hall. During her time with the English Baroque Soloists and the Orchestre Revolutionnaire et Romantique in London, she was able to hone her Baroque and Classical technique. The direct collaboration with John Eliot Gardiner, who led the workshops and teaching sessions, was a unique experience.

Konstanze has been a permanent member of the Deutsche Kammer­philharmonie Bremen since October 2018, where dance is still her greatest passion.

Belgian cellist Marc Froncoux studied at the Music Colleges in both Brussels and Detmold, with Edmond Baert and Professor Andre Navarra respectively. He is the prize winner of several competitions such as the international Premio Vittorio Gui competition in Florence. On completing his studies, Marc Froncoux was appointed teacher of Professor Edmond Baert’s solo class in Brussels and also played solo cello at the Opera in Lucca, Italy.

Marc Froncoux has been solo cellist with The Deutsche Kammer­philharmonie Bremen since 1998. In his adopted North German home, he conducts the Oldenburg Chamber Orchestra and is regularly involved in chamber music courses for amateurs.

Along with The Deutsche Kammer­philharmonie Bremen he has guested in many concert venues in numerous international capitals. He is one of the section leaders in the orchestra and regularly performs in the orchestra’s series of chamber music concerts.

In his free time, Marc Froncoux enjoys spending time in the country. He trains regularly for his trekking tours in the Himalayas, thus combining healthy exercise with his search for inner calm.