Pablo Heras-Casado enjoys an unusually varied and broad-ranging career, encompassing the great symphonic and operatic repertoire, historically informed performances, and contemporary scores. His musical character is best reflected by the quality of the long-term relationships he has nurtured with prestigious orchestras all around the world, while developing new ones each season.

During the 2019/20 season he marks his debut with Orchestra Filarmonica della Scala, Minnesota Orchestra, Royal Stockholm and Czech Philharmonic orchestras and Deutsche Kammer­philharmonie Bremen, while making return guest appearances with Orchestre de Paris, Philharmonia Orchestra, NDR Elbphilharmonie Orchester, NHK Symphony and Pittsburgh Symphony orchestras, Accademia Nazionale di Santa Cecilia, Symphonieorchester des Bayerischen Rundfunk and Verbier Festival Orchestra. He furthermore returns to The Juilliard School in New York to work with their period-instrument ensemble Juilliard415.

In the operatic field, Heras-Casado conducts Wagner’s ›Die Walküre‹ at Teatro Real in Madrid, where he is Principal Guest Conductor, continuing his first-ever complete Ring Cycle, which started with ›Das Rheingold‹ in the previous year and will span four consecutive seasons. He also returns to Staatsoper Unter den Linden in Berlin to conduct ›Don Giovanni‹, a co-production of the opera house with the Salzburg Festival.

He enjoys a long-term collaboration with Freiburger Barockorchester with extensive touring and recording projects and is currently Director of the Granada Festival.

An extensive discography includes a developing series of recordings for the label harmonia mundi, entitled ›Die Neue Romantik‹. Selections of this series feature the music of Mendelssohn, Schumann and other Romantic composers.

Veronika Eberle’s exceptional talent and musicality are highly regarded by many of the world’s finest orchestras, concert halls and festivals, as well as by some of the most renowned conductors. In the 2025/26 season, this violinist will make her debut at Carnegie Hall as part of a tour of Europe and the USA with Yannick Nézet-Séguin and the Chamber Orchestra of Europe. Recent highlights include her US debuts with Karina Canellakis and the New York Philharmonic, Nathalie Stutzmann and the Boston Symphony Orchestra and with Petr Popelka conducting the Cleveland Orchestra. Other key partners of this violinist include orchestras such as the London Symphony Orchestra, the Concertgebouworkest, the Münchner Philharmoniker, the Gewandhaus Orchestra and the Rundfunk-Sinfonieorchester Berlin, as well as conductors such as Sir Simon Rattle, Bernard Haitink, Daniel Harding, Christian Thielemann and many others. Veronika Eberle also works closely with the composers Toshio Hosokawa and Jörg Widmann.

As a dedicated chamber musician, this violinist regularly performs with musicians such as Sol Gabetta, Steven Isserlis, Julia Hagen, Beatrice Rana, Nils Mönkemeyer and Dénes Várjon, and appears at festivals including Klosters Music, the Menuhin Festival Gstaad and the Rheingau Musik Festival, as well as the Mecklenburg-Vorpommern Festival, to name but a few. In the 2024/25 season, she returned to London’s Wigmore Hall as Artist in Residence. Veronika Eberle plays the 1693 ›Ries‹ Stradivarius, kindly loaned to her by the Reinhold Würth Music Foundation.