• Thu. 28.05.
  • 8.00 p.m.
  • Bremen
    ·Die Glocke

– cancelled –
Sharing passion

5th First Night subscription concert

Works by Mozart and Gossec

Ticket returns

Holders of season tickets now have the following options: The musicians of the Deutsche Kammer­philharmonie would greatly appreciate your support during these difficult times. We would be delighted if you felt you would like to donate your subscription tickets. If this is not an option for you, we will of course either offset the resulting credit in the coming season or refund you the respective amount.

Tickets purchased on the open market can also be donated, converted into a voucher or refunded. Important: whether donation, voucher or refund – to process the transaction you must fill out a ticket form that can be found here https://www.kammerphilharmonie.com/erleben/tickets/rueckgabe/. Please submit your request by 30 June 2020. If you have any queries relating to the ticketing policy, please contact our customer service by email under info@kammerphilharmonie.com or by phone on +49 (0)421 32 19 19!

Programme

    • Wolfgang Amadeus Mozart (1756–1791)
    • Aria and rezitative ›Ch’io mi scordi di te? – Non temer amato bene‹ K 505
    • François-Joseph Gossec (1734 - 1839)
    • Symphony in D minor op. 4 No. 6
    • Wolfgang Amadeus Mozart
    • Concerto for oboe, fortepiano and orchestra in C major K 299 (297c)
    • Wolfgang Amadeus Mozart
    • Exsultate jubilate for oboe d’amore and orchestra K 165 (158a)
    • Wolfgang Amadeus Mozart
    • Symphony No. 31 in D major K 297 (K 300a) ›Pariser‹

Director and concertmaster

Daniel Sepec

Since 1993, Daniel Sepec has been concertmaster with The Deutsche Kammer­philharmonie Bremen, with which he also appears regularly as a soloist. He has recorded two CDs with the orchestra featuring works by Johann Sebastian Bach as well as Antonio Vivaldi’s ›Four Seasons‹, on which he also directed himself.

He has also appeared several times as guest concertmaster with the Chamber Orchestra of Europe (including a tour with Claudio Abbado), Camerata Academica Salzburg and the Ensemble Oriol Berlin. As a soloist he has performed with the Academy of Ancient Music under Christopher Hogwood, the Vienna Academy of Music under Martin Haselböck and the Orchestre des Champs-Elysées under Philippe Herreweghe.

His CD recording of H. I. F. Biber’s Rosary Sonatas received the German Record Critics’ Award. Daniel Sepec is the only musician to date to have recorded a CD on a rediscovered violin formerly belonging to Ludwig van Beethoven together with pianist Andreas Staier. As a member of the Arcanto Quartet, he has made recordings of the Mozart, Brahms, Debussy, Ravel, Bartók and Dutilleux string quartets, as well as Schubert’s String Quartet.

From September 2010 until July 2014, he was professor at the School of Music in Basle. In 2014, he was offered a professorship at Lübeck University of Music.

Oboe

Albrecht Mayer

Fortepiano

Vital Julian Frey

Technical aplomb and a high level musicality are just as much his trademarks as is his compelling stage presence – Vital Julian Frey is one of the most sought after harpsichordists, chamber musicians and ensemble directors of his generation. With his extensive and successful concert activities, this Swiss-born musician makes a crucial contribution to repositioning the harpsichord on the classical music scene. With the workshops he offers at concerts, this artist has already introduced many children and young people to a completely fresh approach to the harpsichord.

Frey studied with Robert Hill at Freiburg Music College and with Christine Schornsheim at Munich College of Music. He also received formative influences from Christophe Rousset and Gustav Leonhardt. As soloist, Frey has already been heard at a number of prominent festivals including Lucerne, the Bachfest in Leipzig, the Menuhin Festival Gstaad and the Mozart Festival in Würzburg. He has been Artistic Director of the Thun Bach Week since 2016. In addition, this harpsichordist has recorded numerous Radio performances and CDs. His diverse artistic activities have also found great acclaim with the critics; »he achieves the apparently impossible« according to the ›Sonntagszeitung‹  and, in the words of the ›Thüringische Landeszeitung‹, he is quite simply »a superb harpsichordist«.

Director and concertmaster

Daniel Sepec

Since 1993, Daniel Sepec has been concertmaster with The Deutsche Kammer­philharmonie Bremen, with which he also appears regularly as a soloist. He has recorded two CDs with the orchestra featuring works by Johann Sebastian Bach as well as Antonio Vivaldi’s ›Four Seasons‹, on which he also directed himself.

He has also appeared several times as guest concertmaster with the Chamber Orchestra of Europe (including a tour with Claudio Abbado), Camerata Academica Salzburg and the Ensemble Oriol Berlin. As a soloist he has performed with the Academy of Ancient Music under Christopher Hogwood, the Vienna Academy of Music under Martin Haselböck and the Orchestre des Champs-Elysées under Philippe Herreweghe.

His CD recording of H. I. F. Biber’s Rosary Sonatas received the German Record Critics’ Award. Daniel Sepec is the only musician to date to have recorded a CD on a rediscovered violin formerly belonging to Ludwig van Beethoven together with pianist Andreas Staier. As a member of the Arcanto Quartet, he has made recordings of the Mozart, Brahms, Debussy, Ravel, Bartók and Dutilleux string quartets, as well as Schubert’s String Quartet.

From September 2010 until July 2014, he was professor at the School of Music in Basle. In 2014, he was offered a professorship at Lübeck University of Music.

Fortepiano

Vital Julian Frey

Technical aplomb and a high level musicality are just as much his trademarks as is his compelling stage presence – Vital Julian Frey is one of the most sought after harpsichordists, chamber musicians and ensemble directors of his generation. With his extensive and successful concert activities, this Swiss-born musician makes a crucial contribution to repositioning the harpsichord on the classical music scene. With the workshops he offers at concerts, this artist has already introduced many children and young people to a completely fresh approach to the harpsichord.

Frey studied with Robert Hill at Freiburg Music College and with Christine Schornsheim at Munich College of Music. He also received formative influences from Christophe Rousset and Gustav Leonhardt. As soloist, Frey has already been heard at a number of prominent festivals including Lucerne, the Bachfest in Leipzig, the Menuhin Festival Gstaad and the Mozart Festival in Würzburg. He has been Artistic Director of the Thun Bach Week since 2016. In addition, this harpsichordist has recorded numerous Radio performances and CDs. His diverse artistic activities have also found great acclaim with the critics; »he achieves the apparently impossible« according to the ›Sonntagszeitung‹  and, in the words of the ›Thüringische Landeszeitung‹, he is quite simply »a superb harpsichordist«.