• Thu 19.09.
  • 8.00 p.m.
  • Bremen
    ·Die Glocke

British connection

4th Highlight subscription concert

Works by Schumann, Barry and Elgar

»If you want to know who I consider to be the most important living composer, then I will say without hesitation: Elgar«. Great words from Fritz Kreisler, the legendary violinist. He is of course referring to Edward William Elgar, who singlehandedly put Great Britain back on the international musical map after its interminably long absence. As a composer, Elgar was self-taught. His breakthrough came in London with his ›Enigma Variations‹ in 1899. »I have greatly enjoyed the Enigma Variations because I have subtitled them with the nicknames of a number of special friends«. A spontaneous work not written to a commission, the variations are composed as a sequence of musical miniatures. As a Brit and as a veritable all-rounder, Duncan Ward is the ideal choice. At the age of only 12 Ward had already composed his first schoolboy musical and later he became the first conductor in the Berlin Philharmonic Orchestra Academy. Since his first appearance here in 2015, he has become a regular and welcome guest with The Deutsche Kammer­philharmonie Bremen.

As part of this project, Gerald Barry’s ›Organ Concerto‹ will be premiered at the Cologne concert. Here, the composer discusses his work.

Programme

    • Robert Schumann (1810–1856)
    • Overture, Scherzo and Finale for orchestra in E major op. 52
    • Gerald Barry (*1952)
    • Organ concerto
    • Edward Elgar (1857–1934)
    • Enigma Variations op. 36

Conductor

Duncan Ward

In recent years, Duncan Ward has established himself as one of the most exciting and versatile conductors of his generation, whose lively interpretations of the classical repertoire are praised as much as his interpretations of 20th century masterpieces. He has been chief conductor of the Philzuid (South Netherlands Philharmonic) since 2021. He also regularly conducts orchestras such as the London Symphony Orchestra, the Symphonieorchester des Bayerischen Rundfunks, the Finnish Radio Symphony and other renowned orchestras. His great passion for a very wide-ranging repertoire also leads to collaborations with ensembles for historical instruments such as Les Siècles or Balthasar Neumann as well as with specialists for contemporary music such as the Ensemble Modern or the Ensemble Intercontemporain.

The current season’s symphonic highlights include debuts with the Rundfunk Sinfonieorchester Berlin, Osaka Philharmonic, Orchestre Symphonique du Quebec and the Schleswig-Holstein Festival Orchestra. In 2022, the conductor made his North American debut at the Metropolitan Opera with Mozart’s ›Die Zauberflöte‹. Duncan Ward opened the 2024/25 season with a critically acclaimed debut at the English National Opera and a new production of Britten’s ›Turn of the Screw‹. Since his youth, this versatile musician has been involved in many international social projects, including in India and South Africa. He has maintained a close relationship with the Deutsche Kammer­philharmonie Bremen for many years.

Organ

Thomas Trotter

Thomas Trotter is one of the most well-known British musicians and an excellent organ virtuoso. He was made Birmingham City Organist in 1983, and is also organist at St. Margaret’s Church, Westminster Abbey in London and Visiting Fellow for Organ Studies at the Royal Northern College of Music. Trotter began his career as Organ Scholar at King’s College Cambridge and later continued his studies in Paris. This instrumentalist has received many awards for his achievements, including the Royal Philharmonic Society Award, the New York City Chapter of the American Guild of Organists ›Performer of the Year Award‹ and the Royal College of Organists’ Medal.

As soloist, this musician has already performed with such artists as Sir Simon Rattle, Bernard Haitink, Riccardo Chailly, Valery Gergiev, Edward Gardner, Andris Nelsons and Thomas Sondergaard to name but a few. As well as performances in Europe’s most well-known concert halls, Trotter has also been a frequent guest at numerous festivals, from Salzburg via Edinburgh to the BBC Proms in London. He has played with some of the world’s leading ensembles – including the Vienna, Berlin, London Philharmonic Orchestras. His numerous recordings – all appearing on the Regent label – are also considered excellent. For his Liszt recordings for example, Thomas Trotter was awarded the French ›Grand Prix du Disque‹.

Composer

Gerald Barry

Gerald Barry was born in Ireland in 1952 and studied with Stockhausen and Kagel. His early music from 1979 includes „_______“ for ensemble and Ø for two pianos in which both pianos play identical music simultaneously. Barry’s orchestral works performed at the BBC Proms include Chevaux-de-frise in 1988, No other people in 2013 and Canada in 2017.  Canada will receive its US premiere at the 2019 Tanglewood Music Festival. Barry’s Piano Concerto was premiered at the Munich 2013 Musica Viva.

Amongst his operas, The Triumph of Beauty and Deceit (1991), was at the Berliner Festwochen conducted by Thomas Adés. A new staging took place in 2013 at the Badisches Staatstheater Karlsruhe. Die bitteren Tränen der Petra von Kant was at Theater Basel in 2008 and La Plus Forte (2007) was commissioned by Radio France for the Festival Présences premiered by Barbara Hannigan. The LA Philharmonic premiered The Importance of Being Earnest in 2011 and it received its first staging at Opéra national de Lorraine – Nancy in 2013 followed by the Royal Opera House, Covent Garden and a US premiere at Lincoln Center with the New York Philharmonic. Earnest received the 2013 Royal Philharmonic Society Award for Large-Scale Composition and the recording, released on NMC, was nominated for a 2016 Grammy Award. A new production by the Nouvel Opéra Fribourg opened in Fribourg and Paris in May 2019. His operas The Intelligence Park and Alice’s Adventures Under Ground will have new productions at Covent Garden in 2019 and 2020.

Conductor

Duncan Ward

In recent years, Duncan Ward has established himself as one of the most exciting and versatile conductors of his generation, whose lively interpretations of the classical repertoire are praised as much as his interpretations of 20th century masterpieces. He has been chief conductor of the Philzuid (South Netherlands Philharmonic) since 2021. He also regularly conducts orchestras such as the London Symphony Orchestra, the Symphonieorchester des Bayerischen Rundfunks, the Finnish Radio Symphony and other renowned orchestras. His great passion for a very wide-ranging repertoire also leads to collaborations with ensembles for historical instruments such as Les Siècles or Balthasar Neumann as well as with specialists for contemporary music such as the Ensemble Modern or the Ensemble Intercontemporain.

The current season’s symphonic highlights include debuts with the Rundfunk Sinfonieorchester Berlin, Osaka Philharmonic, Orchestre Symphonique du Quebec and the Schleswig-Holstein Festival Orchestra. In 2022, the conductor made his North American debut at the Metropolitan Opera with Mozart’s ›Die Zauberflöte‹. Duncan Ward opened the 2024/25 season with a critically acclaimed debut at the English National Opera and a new production of Britten’s ›Turn of the Screw‹. Since his youth, this versatile musician has been involved in many international social projects, including in India and South Africa. He has maintained a close relationship with the Deutsche Kammer­philharmonie Bremen for many years.

Composer

Gerald Barry

Gerald Barry was born in Ireland in 1952 and studied with Stockhausen and Kagel. His early music from 1979 includes „_______“ for ensemble and Ø for two pianos in which both pianos play identical music simultaneously. Barry’s orchestral works performed at the BBC Proms include Chevaux-de-frise in 1988, No other people in 2013 and Canada in 2017.  Canada will receive its US premiere at the 2019 Tanglewood Music Festival. Barry’s Piano Concerto was premiered at the Munich 2013 Musica Viva.

Amongst his operas, The Triumph of Beauty and Deceit (1991), was at the Berliner Festwochen conducted by Thomas Adés. A new staging took place in 2013 at the Badisches Staatstheater Karlsruhe. Die bitteren Tränen der Petra von Kant was at Theater Basel in 2008 and La Plus Forte (2007) was commissioned by Radio France for the Festival Présences premiered by Barbara Hannigan. The LA Philharmonic premiered The Importance of Being Earnest in 2011 and it received its first staging at Opéra national de Lorraine – Nancy in 2013 followed by the Royal Opera House, Covent Garden and a US premiere at Lincoln Center with the New York Philharmonic. Earnest received the 2013 Royal Philharmonic Society Award for Large-Scale Composition and the recording, released on NMC, was nominated for a 2016 Grammy Award. A new production by the Nouvel Opéra Fribourg opened in Fribourg and Paris in May 2019. His operas The Intelligence Park and Alice’s Adventures Under Ground will have new productions at Covent Garden in 2019 and 2020.