• Fri 10.04.
  • 8.00 p.m.
  • Bassum
    ·KulturBühne, GS Mittelstraße

Works by Telemann, Debussy, Jolivet a.o.

Chamber concert

Even King David played the harp! Over time, the instrument evolved and was used in various forms in folk music. The Celtic harp is so iconic that it features on the Republic of Ireland’s national coat of arms. Initially popular in salons and as an accompaniment because of its gentle sound, the harp gained prominence as an orchestral and solo instrument in the 19th century, particularly in the ›rousing‹ works of the French Impressionists. Combining the harp with a flute and viola creates an incredible blend of sounds: a plucked instrument, a melodic instrument, and a stringed instrument bridging the two. In Telemann’s sonata, the harp assumes the role of continuo instrument. Jan Bach highlights the Celtic influence with his variations on a Welsh folk song, while a thread of melancholy runs through Arnold Bax’s ›Elegiac Trio‹. In the French part of the programme, Debussy draws an arc from Baroque traditions to the music of his time, while Germaine Tailleferre’s concert études embrace classical modernism, much like André Jolivet’s lively ›Petite Suite‹.

Programme

    • Georg Philipp Telemann (1681–1767 )
    • Trio TWV 42:h4 for flute, viola and basso continuo
    • Sir Arnold Edward Trevor Bax (1883–1953)
    • Elegiac Trio
    • Jan Bach (1937–2020)
    • Eisteddfod, variations on a Welsh folk song for flute, viola and harp
    • Claude Debussy (1862–1918)
    • Sonata for flute, viola and harp
    • Germaine Tailleferre (1892–1983)
    • 3 sentences from Petite Livre de Harpe de Madame Tardieu for solo harp
    • André Jolivet (1905–1974)
    • Petite Suite for flute, viola and harp

Flute

Ulrike Höfs

As a schoolchild, Ulrike Höfs realized that all she wanted to become in life was a musician. After participating successfully in several music competitions and gaining first orchestra experience in the regional and national youth orchestras and the Young German Philharmonic, Ulrike Höfs originally studied under Prof. Renate Greiss-Armin, then with Prof. Peter-Lukas Graf. She already played with The Deutsche Kammer­philharmonie during her student days. As a partner, she has been a permanent member of the orchestra since 2003.
For her, the special thing about her favourite orchestra is the energy flow onstage and the supportive way the team pulls together.

Apart from her work with the orchestra, Ulrike Höfs enjoys playing chamber music and devoting time to her family. She loves the beaches of northern Germany, white wines from her native region of Rhine Hesse, good food and books.

Viola

Anja Manthey

Anja Manthey was raised in Wilhelmshaven, not far from the orchestra’s current home city of Bremen. She left the North Sea town to study at the University of Music in Hamburg and Freiburg. She joined the then Chamber Orchestra of the Young German Philharmonic back in 1982.

Apart from a busy orchestra schedule and regular chamber music appearances in various ensembles, she is particularly interested in the humanities. In 2012, she graduated with distinction in Musicology, German and English. For many years, Anja Manthey has contributed her enthusiasm and wealth of experience in these subjects to organizing and holding the concert introduction events ›en passant‹ and ›Auftakt‹ (engl. ›Prélude‹) for the Bremen subscription concerts.

Her favourite leisure pastimes – beyond music and musicology – include reading. In 2020, she was awarded her doctorate (DPhil).

Harp

Gesine Dreyer

Flute

Ulrike Höfs

As a schoolchild, Ulrike Höfs realized that all she wanted to become in life was a musician. After participating successfully in several music competitions and gaining first orchestra experience in the regional and national youth orchestras and the Young German Philharmonic, Ulrike Höfs originally studied under Prof. Renate Greiss-Armin, then with Prof. Peter-Lukas Graf. She already played with The Deutsche Kammer­philharmonie during her student days. As a partner, she has been a permanent member of the orchestra since 2003.
For her, the special thing about her favourite orchestra is the energy flow onstage and the supportive way the team pulls together.

Apart from her work with the orchestra, Ulrike Höfs enjoys playing chamber music and devoting time to her family. She loves the beaches of northern Germany, white wines from her native region of Rhine Hesse, good food and books.

Harp

Gesine Dreyer