• Sun 06.09.
  • 4.00 p.m.
  • Thedinghausen
    ·Schloss Erbhof Thedinghausen

Works by Haydn, von Zemlinsky, Müller-Hermann a.o.

Chamber concert

The term ›Vienna School‹ is used to refer to both the group of classical composers around Joseph Haydn and Wolfgang Amadeus Mozart and the Viennese Modernists such as Arnold Schönberg. No new ›school‹ arises out of nowhere. At the turn of the 20th century, names like Schreker, Korngold and Zemlinsky stood out. Zemlinsky’s first string quartet in A major echoes Johannes Brahms, which is no coincidence since Brahms mentored and encouraged him. Interestingly, Zemlinsky was also Schönberg’s only official teacher. While Schönberg subsequently gained fame and prestige, the work of fellow Zemlinsky student and the first female composition professor in the German-speaking world, Johanna Müller-Hermann, is only now slowly being rediscovered. Her bold chromatic string quartet is a true gem! The programme is rounded out by two pieces from Joseph Haydn: No. 5 from his Op. 20, a groundbreaking work for the string quartet genre, and the final quartet from Op. 64, composed 20 years later during Haydn’s first trip to England, where it was performed in London to high acclaim.

Programme

    • Joseph Haydn (1732–1809)
    • String quartet in F minor op. 20 No. 5 Hob III: 35
    • Alexander von Zemlinsky (1871–1942)
    • String quartet No. 1 in A major op. 4
    • Johanna Müller-Hermann (1868–1941)
    • String quartet in E-flat major op. 6, Moderato and Allegro vivace
    • Joseph Haydn
    • String quartet in E-flat major op. 64 No. 6 Hob III: 64

Violin

Beate Weis

Beate Weis studied violin and string quartet in Stuttgart with Gerhard Voss in the Melos Quartet class, followed by specialized concert studies with Ernst Kovacic in Vienna. She was a prizewinner in the national ›Jugend musiziert‹ competition and a member of the State Youth Orchestra in Baden-Württemberg and the German National Youth Orchestra, as well as winning a scholarship from the DAAD and the Baden-Württemberg String Instrument Collection. She joined The Deutsche Kammer­philharmonie Bremen directly after completing her studies in 1992.

Here, Beate Weis is also very active in promoting music – for example within the scope of orchestra projects such as ›Response‹, the ›Musical Paper Chase‹, concert introduction events (including ›Genial‹ in cooperation with the Bremen children’s and youth theatre, MOKS) or teaching and coaching lay musicians. As a soloist she has performed with the Bremen University Orchestra, Oldenburg Chamber Orchestra and concerto armonico Freiburg. Beate also devotes herself intensively to chamber music. She was a member of the ›Ensemble Lesmona‹ founded together with other orchestra colleagues and has her own concert series in the Bremen Silbermanufaktur Koch und Bergfeld. Here she combines programme planning with recitals.

Violin

Emma Yoon

Originally from New Zealand, Emma Yoon began her studies with Stephen Larsen at the University of Canterbury in Christchurch. She then completed her master’s degree and concert exam with Elisabeth Kufferath at the Hanover College of Music, Drama and Media. She also studied chamber music with Oliver Wille in Hanover. Among other prizes, this violinist has won the New Zealand National Concerto Competition. In 2010 she made her solo debut with the Christchurch Symphony Orchestra performing Samuel Barber’s Violin Concerto. Emma Yoon is also an avid chamber musician, collaborating with outstanding artists such as Sarah Christian, Florian Donderer and Tanja Tetzlaff. Her most recent recording, the chamber music album ›Jonny‹, was nominated for an Opus Klassik in 2020.

Both as a soloist and as a chamber musician, Emma Yoon has performed concerts throughout Europe, the UK, the USA and New Zealand, and has appeared at international festivals such as the Edinburgh International Arts Festival, the Rottweil Musikfestival Sommersprossen and the Heidelberger Frühling. She was an academist with the Deutsche Kammer­philharmonie Bremen from 2017 to 2019 before becoming a permanent member of the orchestra, and has played as concertmaster in ensembles such as the Kammer­philharmonie Landshut, Musica Assoluta and Camerata Hamburg.

She has also completed an internship with the NDR Radiophilharmonie Hanover and has played as a section leader in ensembles such as the Kammer­philharmonie Landshut and the Camerata Hamburg. Since 2018, Emma Yoon has also been a member of the Estonian Festival Orchestra, working with Paavo Järvi at the Pärnu Music Festival in Estonia.

Viola

Grace Leehan

Grace Leehan began violin lessons aged seven and received viola tuition from the age of eleven. She learned both instruments while studying for her bachelor’s degree at the University of Auckland with Stephen Larsen, where she was awarded ›First Class Honours‹ and the Senior Scholar Award. Grace finally decided to devote herself to the viola and continued her studies with Andra Darzinsat the Stuttgart College of Music and Performing Arts, where she is currently completing her master’s degree.

Grace received a comprehensive musical education which included chamber music, orchestra and also solo playing. Since chamber music is one of her passions, she has participated in various ensembles that have won awards at important competitions and is currently a member of the NERIDA Quartet. As a soloist, Grace is also a prizewinner in the New Zealand National Concerto Competition and the Gisborne International Music Competition. Grace’s orchestra experience includes performances with the New Zealand Symphony Orchestra, the National Youth Orchestra and the Schleswig-Holstein Festival Orchestra. She was also a member of the Christchurch Symphony Orchestra and the Auckland Philharmonia Orchestra, where she became an academy student.

Violoncello

Raphael Zinner

Raphael Zinner received his first cello lessons at the local music school aged four. Since 2022, he has been studying for his Masters with Peter Bruns at Leipzig College of Music. Previously, he completed his undergraduate studies with Troels Svane at Lübeck College of Music. Participation in masterclasses by Peter Bruns, David Geringas, Wolfgang Emanuel Schmidt and Gustav Rivinius have also provided him with vital musical input. As the first ever three-time winner of ›Jugend musiziert‹, Raphael has also won numerous other prizes at international competitions such as the Heran Competition in the Czech Republic, the Liezen International Competition for Cello in Austria and the David Popper Cello Competition in Hungary.

In addition to his solo playing, he is a passionate chamber musician. He has performed with his piano trio in the Berlin Philharmonie as well as in Boston and Washington. Together with his string quartet, he has performed at the Brahms Festival in Lübeck and at the Atlantic Festival. As prizewinner of the 27th Competition of the German Musical Instrument Fund, he plays a Genoa 1871 Niccolò Bianchi cello.

In 2022, Raphael Zinner won the preliminary round and became a member of the Deutsche Kammer­philharmonie Bremen Academy. In 2023, while still a member of the Academy, this talented young cellist successfully completed his probationary year with the orchestra and has been a member of the orchestra since 2024.

Violin

Beate Weis

Beate Weis studied violin and string quartet in Stuttgart with Gerhard Voss in the Melos Quartet class, followed by specialized concert studies with Ernst Kovacic in Vienna. She was a prizewinner in the national ›Jugend musiziert‹ competition and a member of the State Youth Orchestra in Baden-Württemberg and the German National Youth Orchestra, as well as winning a scholarship from the DAAD and the Baden-Württemberg String Instrument Collection. She joined The Deutsche Kammer­philharmonie Bremen directly after completing her studies in 1992.

Here, Beate Weis is also very active in promoting music – for example within the scope of orchestra projects such as ›Response‹, the ›Musical Paper Chase‹, concert introduction events (including ›Genial‹ in cooperation with the Bremen children’s and youth theatre, MOKS) or teaching and coaching lay musicians. As a soloist she has performed with the Bremen University Orchestra, Oldenburg Chamber Orchestra and concerto armonico Freiburg. Beate also devotes herself intensively to chamber music. She was a member of the ›Ensemble Lesmona‹ founded together with other orchestra colleagues and has her own concert series in the Bremen Silbermanufaktur Koch und Bergfeld. Here she combines programme planning with recitals.

Viola

Grace Leehan

Grace Leehan began violin lessons aged seven and received viola tuition from the age of eleven. She learned both instruments while studying for her bachelor’s degree at the University of Auckland with Stephen Larsen, where she was awarded ›First Class Honours‹ and the Senior Scholar Award. Grace finally decided to devote herself to the viola and continued her studies with Andra Darzinsat the Stuttgart College of Music and Performing Arts, where she is currently completing her master’s degree.

Grace received a comprehensive musical education which included chamber music, orchestra and also solo playing. Since chamber music is one of her passions, she has participated in various ensembles that have won awards at important competitions and is currently a member of the NERIDA Quartet. As a soloist, Grace is also a prizewinner in the New Zealand National Concerto Competition and the Gisborne International Music Competition. Grace’s orchestra experience includes performances with the New Zealand Symphony Orchestra, the National Youth Orchestra and the Schleswig-Holstein Festival Orchestra. She was also a member of the Christchurch Symphony Orchestra and the Auckland Philharmonia Orchestra, where she became an academy student.