Sarah Christian’s wish is to convey the honest emotion and energy of classical music to her listeners. In her artistic life, she enjoys combining all influences, not having to compromise anything in her many roles as soloist, chamber musician, the Deutsche Kammer­philharmonie Bremen’s concert master or as Artistic Director of a chamber music series in her home town of Augsburg. Here she makes the highest demands on herself. Her focus, when studying scores, is always on the music itself, which she approaches with the greatest respect. Her most important teacher is Antje Weithaas, with whom she studied at the Hanns Eisler Music College in Berlin and whose assistant she later became. As professor, Sarah Christian supervises her own class at the Stuttgart College of Music and Performing Arts.

One of her greatest competition success is the ARD Music Competition 2017, at which she won 2nd Prize (no 1st prize was awarded). She also won the audience prize and the Munich Chamber Orchestra’s special prize. Sarah Christian has performed in many European countries, as well as in China, Japan, South America and The United States. As soloist, she has played with orchestras such as the Camerata Salzburg, the Bavarian Radio Symphony Orchestra and the Auckland Philharmonia. She gave her debut at Carnegie Hall with the Bavarian State Orchestra in March 2018. Her Debut CD (GENUIN, 2017), featuring Prokofiev’s Sonata No. 1 in F minor Op. 80 and Schubert’s C Major Fantasy has been greatly praised by the press »Sarah Christian’s solo debut is simply fantastic! This violinist has proven to be an extremely sensitive interpreter and she is technically quite simply unimpeachable.« (klassik.com).

During her school days Friederike Latzko was a junior student at the University of Music in Cologne, where she received intensive chamber music lessons from the Amadeus Quartet. After earning her university entrance qualification, she changed to the University of the Arts in Berlin, where she gained further ensemble experience in all of the major West Berlin orchestras. She was a DAAD and Herbert von Karajan Foundation scholarship holder, associate teacher and lecturer with the German National Youth Orchestra and the Young German Philharmonic, as well as chamber music partner to renowned soloists.

In 1980, Friederike founded The Deutsche Kammer­philharmonie Bremen together with like-minded fellow students – at first under the name ›Chamber Orchestra of the Young German Philharmonic‹, then later from 1987 in Frankfurt ›Deutsche Kammer­philharmonie‹. In the meantime, she has been a solo violist and dedicated music teacher here for over 30 years.

With Mark Scheibe, she created the ›Melody for Life‹ and with Rodrigo Blumenstock, Stefan Latzko and Gunther Schwiddessen the orchestra project ›Sinfonia Concertante‹, in which members of The Deutsche Kammer­philharmonie Bremen play alongside dedicated amateurs.

Friederike Latzko has two grown-up children and spends any spare time in her studio painting and working on her next exhibition.

Ulrich König was first prizewinner in the national ›Jugend musiziert‹ competition and a member of the RIAS Youth Orchestra Berlin. He studied the oboe in Berlin, Hanover and Stuttgart. During this time, he played with the Junge Deutsche Philharmonie and the European Union Youth Orchestra.

He became a member of The Deutsche Kammerphil-harmonie Bremen in 1988 and was thus one of the first wind players to be admitted to the orchestra as a partner. He has also performed as a soloist with the Kammer-philharmonie and has made guest appearances for example at Gidon Kremer’s Lockenhaus Chamber Music Festival and Lars Vogt’s ›Spannungen‹ chamber music festival at Heimbach Power Station.

Ulrich König also enjoys adapting and arranging pieces – ranging from classical works for The Deutsche Kammer­philharmonie Bremen’s wind soloists to pop music for his ensemble ›Das ABBArtige Quartett‹.

Violinist Gunther Schwiddessen’s career followed a cosmopolitan and unusual path even during his student days. He studied in Essen as well as at the Ferenc Liszt Academy in Budapest and received part of his chamber music training with the ›Bartók Quartet‹ in Budapest.

In addition to his studies he attended masterclasses, for example with Sándor Végh, György Kurtág and Walter Levin.

He became a member of The Deutsche Kammer­philharmonie Bremen in 1988. In order to fill the idea of an autonomous orchestra with substance, he is active on the orchestra’s board.

In his free time, Gunther Schwiddessen likes to travel. He therefore also enjoys the many orchestra tours from a tourist point of view.

Born in Paris, Tristan Cornut has won prizes at many international competitions, including the ARD Music Competition, the Domnick Competition and the Gaspar Cassado Competition. He studied with Roland Pidoux at the Paris Conservatoire and at Stuttgart College of Music as well as with Jean-Guihen Queyras at Freiburg College of Music.

He has performed as soloist with the Tokyo Philharmonic Orchestra, the Symphonie Orchester des Bayerischen Rundfunk, the Stuttgart Kammer Orchester, the Münchner Kammer Orchester, the Strasbourg Philharmonic Orchestra and Ensemble Resonanz, among others. Since 2012, he has been principal cellist of the Deutsche Kammer­philharmonie Bremen.

A passionate chamber musician, he has performed alongside Yo-Yo Ma, Antonio Meneses, Salvatore Accardo, Bruno Giuranna, Miguel da Silva and Daniel Hope as well as being prize-winner at the Melbourne, Trondheim and Joseph Haydn (Vienna) chamber music competitions.

Tristan Cornut has been Professor of Violoncello at the Stuttgart University of Music since 2017. He currently plays a 2005 Urs Mächler cello.