Stefan Latzko’s career path took him from the Bavarian State Youth Orchestra via the University of Music in Munich, Würzburg and Hanover, to a scholarship at the Juilliard School of Music in New York. He graduated with distinction and gave his concert recital at the Robert Schumann University in Düsseldorf under Prof. Rosa Fain.

Orchestra playing remains his great passion to this day. This was decisively shaped by his membership in the Young German Philharmonic. Subsequently, he was also a member of the ›Chamber Orchestra of the Young German Philharmonic‹. From here, in 1989, he came to The Deutsche Kammer­philharmonie, which at that time still resided in Frankfurt.

In addition to playing in the orchestra, Stefan Latzko is a keen chamber musician, having founded his first string quartet during his student days. Today he also regularly performs as a soloist and passes on his experience teaching the violin at the University of the Arts Bremen and coaching the Bremen Youth Orchestra.

Stefan Latzko spends much of his spare time cycling and has already cycled across Europe. His next ambition is to explore New Zealand on two wheels.

Furthermore he is concertmaster of the Sinfonietta Oldenburg and the orchestra ›Sinfonia Concertante‹ in Bremen.

During her school days Friederike Latzko was a junior student at the University of Music in Cologne, where she received intensive chamber music lessons from the Amadeus Quartet. After earning her university entrance qualification, she changed to the University of the Arts in Berlin, where she gained further ensemble experience in all of the major West Berlin orchestras. She was a DAAD and Herbert von Karajan Foundation scholarship holder, associate teacher and lecturer with the German National Youth Orchestra and the Young German Philharmonic, as well as chamber music partner to renowned soloists.

In 1980, Friederike founded The Deutsche Kammer­philharmonie Bremen together with like-minded fellow students – at first under the name ›Chamber Orchestra of the Young German Philharmonic‹, then later from 1987 in Frankfurt ›Deutsche Kammer­philharmonie‹. In the meantime, she has been a solo violist and dedicated music teacher here for over 30 years.

With Mark Scheibe, she created the ›Melody for Life‹ and with Rodrigo Blumenstock, Stefan Latzko and Gunther Schwiddessen the orchestra project ›Sinfonia Concertante‹, in which members of The Deutsche Kammer­philharmonie Bremen play alongside dedicated amateurs.

Friederike Latzko has two grown-up children and spends any spare time in her studio painting and working on her next exhibition.

Sarah Christian’s wish is to convey the honest emotion and energy of classical music to her listeners. In her artistic life, she enjoys combining all influences, not having to compromise anything in her many roles as soloist, chamber musician, the Deutsche Kammer­philharmonie Bremen’s concert master or as Artistic Director of a chamber music series in her home town of Augsburg. Here she makes the highest demands on herself. Her focus, when studying scores, is always on the music itself, which she approaches with the greatest respect. Her most important teacher is Antje Weithaas, with whom she studied at the Hanns Eisler Music College in Berlin and whose assistant she later became. As professor, Sarah Christian supervises her own class at the Stuttgart College of Music and Performing Arts.

One of her greatest competition success is the ARD Music Competition 2017, at which she won 2nd Prize (no 1st prize was awarded). She also won the audience prize and the Munich Chamber Orchestra’s special prize. Sarah Christian has performed in many European countries, as well as in China, Japan, South America and The United States. As soloist, she has played with orchestras such as the Camerata Salzburg, the Bavarian Radio Symphony Orchestra and the Auckland Philharmonia. She gave her debut at Carnegie Hall with the Bavarian State Orchestra in March 2018. Her Debut CD (GENUIN, 2017), featuring Prokofiev’s Sonata No. 1 in F minor Op. 80 and Schubert’s C Major Fantasy has been greatly praised by the press »Sarah Christian’s solo debut is simply fantastic! This violinist has proven to be an extremely sensitive interpreter and she is technically quite simply unimpeachable.« (klassik.com).